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Selected Poems (Penguin Classics), by Thomas Hardy
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Thomas Hardy abandoned the novel form at the turn of the century, probably after public reaction to�Jude the Obscure, but continued to write verse displaying a wide variety of metrical styles and stanza forms and a broad scope of tone and attitude. This definitive volume contains selections from his numerous collections published between 1898 and 1928.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.
- Sales Rank: #607587 in Books
- Published on: 1998-12-01
- Released on: 1998-12-01
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .65" w x 5.04" l, .47 pounds
- Binding: Paperback
- 320 pages
Review
According To The Mighty Working
After A Journey
After The Last Breath (j.h. 1813-1904)
Afternoon Service At Mellstock
Afterwards
Ah, Are You Digging On My Grave?
An Ancient To Ancients
An Anniversary
At A Country Fair
At A Hasty Wedding; Triolet
At Casterbridge Fair: 1. The Ballad-singer
At Casterbridge Fair: 2. Former Beauties
At Casterbridge Fair: 3. After The Club-dance
At Casterbridge Fair: 4. The Market-girl
At Casterbridge Fair: 5. The Inquiry
At Casterbridge Fair: 6. A Wife Waits
At Casterbridge Fair: 7. After The Fair
At Castle Boterel
At Day-close In November
At Middle-field Gate In February
At The Word 'farewell'
An August Midnight
A Backward Spring
The Ballet
Before And After Summer
A Bird-scene At A Rural Dwelling
The Blinded Bird
The Caged Goldfinch
The Calf
Channel Firing
The Choirmaster's Burial
A Church Romance
Coming Up Oxford Street: Evening
The Contretemps
The Convergence Of The Twain; Lines On Loss Of The Titanic
The Darkling Thrush
The Division
Domicilium
The Dream Is - Which?
Drummer Hodge
During Wind And Rain
Embarcation
Exeunt Omnes
Expectation And Experience
The Fallow Deer At The Lonely House
Fetching Her
The Five Students
A Forgotten Miniature
Friends Beyond
'a Gentleman's Second-hand Suit'
The Going
Going And Staying
Great Things
Hap
The Harbour Bridge
The Haunter
He Prefers Her Earthly
Henley Regatta
Heredity
His Immortality
His Visitor
The Homecoming
The House Of Hospitalities
A Hurried Meeting
I Am The One Whom The Ringdoves See
I Look Into My Glass
I Need Not Go
I Say, 'i'll Seek Her Side'
Ice On The Highway
In A Eweleaze Near Weatherbury
In Tenebris: 1
In The Days Of Crinoline
In The Garden
In The Moonlight
'in The Night She Came'
In The Small Hours
In Time Of 'the Breaking Of Nations'
Jubilate
Lament
The Last Chrysanthemum
Last Love-word
The Last Signal
Last Words To A Dumb Friend
A Leaving
Life And Death At Sunrise (near Dogbury Gate, 1867)
Logs On The Hearth; A Memory Of A Sister
Lonely Days (versified From A Diary)
Lying Awake
Mad Judy
The Man He Killed
The Marble Tablet
The Master And The Leaves
Midnight On The Great Western
The Missed Train
The Moon Looks In
My Spirit Will Not Haunt The Mound
Nature's Questioning
Near Lanivet, 1872
Neutral Tones
A Night In November
The Night Of The Dance
No Buyers (a Street Scene)
Nobody Comes
Old Furniture
On Sturminster Foot-bridge
On The Tune Called The Old-hundred-and-fourth
One Ralph Blossom Soliloquizes
One We Knew (m.h. 1772-1857)
One Who Married Above Him
The Orphaned Old Maid
The Oxen
The Pedigree
The Photograph
A Procession Of Dead Days
Proud Songsters
Rain On A Grave
The Rejected Member's Wife
The Respectable Burgher, On 'the Higher Criticism'
Retty's Phases
Rome. At The Pyramid Of Cestius Near The Graves Of Shelley
Rose-ann
The Ruined Maid
Satires Of Circumstance. 6. In The Cemetery
Satires Of Circumstance: 1. At Tea
Satires Of Circumstance: 10. In The Nuptial Chamber
Satires Of Circumstance: 11. In The Restaurant
Satires Of Circumstance: 12. At The Draper's
Satires Of Circumstance: 13. On The Death-bed
Satires Of Circumstance: 14. Over The Coffin
Satires Of Circumstance: 2. In Church
Satires Of Circumstance: 3. By Her Aunt's Grave
Satires Of Circumstance: 4. In The Room Of The Bride-elect
Satires Of Circumstance: 5. At A Watering-place
Satires Of Circumstance: 7. Outside The Window
Satires Of Circumstance: 8. In The Study
Satires Of Circumstance: 9. At The Altar-rail
The Schreckhorn
The Self-unseeing
The Shadow On The Stone
She Charged Me
She Hears The Storm
She, To Him: 2
A Sheep Fair
Shortening Days At The Homestead
Shut Out That Moon
Snow In The Suburbs
Something Tapped
The Souls Of The Slain
The Sundial On A Wet Day
Ten Years Since
A Thought In Two Moods
Throwing A Tree
Timing Her
To An Unborn Pauper Child
To Carrey Clavel
To Lizbie Browne
To My Father's Violin
To The Moon
A Trampwoman's Tragedy
Transformations
A Two-years' Idyll
An Upbraiding
The Voice
Voices From Things Growing In A Churchyard
Waiting - Both
The Walk
We Sat At The Window (bournemouth, 1875)
Weathers
Wessex Heights
When Dead
When Oats Were Reaped
Where They Lived
Who's In The Next Room? - Who?
The Wind Blew Words
Winter In Durnover Field; Triolet
Without Ceremony
Wives In The Sere
The Workbox
Your Last Drive
Zermatt: To The Matterhorn
-- Table of Poems from Poem Finder�
From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.
About the Author
Thomas Hardy�(1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles�and�Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.
Most helpful customer reviews
26 of 27 people found the following review helpful.
The Best Hardy Collection
By Jonathan Cannon
If you are looking for a collection of Hardy's poetry, look no farther than this collection. The Penguin editors have done an incredible job of organizing the dense, complex body of Hardy's work into a very readable collection. This is more than just a simple "Hardy's greatest hits." Yes, there are the standard favorites here, but there is also an impressive collection of the writer's more obscure work. Reading the entire contents of this book is the best way to see the breadth of Hardy's existential and metaphysical angst.
19 of 19 people found the following review helpful.
one of the greatest poetry collections
By adead_poet@hotmail.com
After the Library of America edition of Robert Frost's poetry, this might be the best collection of poetry there is. Not only is Hardy one of the best poets ever (easily top five in the English language), but Mezey does a great job at putting together this collection. He selects the best of Hardy's poetry and a highly representative selection as well. His introduction is very well written and highly informative. It's like taking a quick class on Hardy. The poems are very much annotated, almost too much, but the notes are at the back of the book, so they are unobtrusive. There is a chronology and Mezey includes a few quotes, some of them quite witty, from Hardy. And all for an affordable price. You really can't beat this, and Hardy is one of those poets that should be on everyone's shelf.
A quick list of my favorite Hardy poems: Hap; Neutral Tones; At a Hasty Wedding; The Last Chrysanthemum; The Darkling Thrush; Mad Judy; The Ruined Maid; The Man He Killed; Channel Firing; Ah, Are You Digging on My Grave?; Without Ceremony; The Haunter; The Voice; His Visitor; She Charged Me; At Tea; Over the Coffin; In the Moonlight; Near Lanivet, 1872; Something Tapped; The Ballet; A Backward Spring; At a Country Fair; A Night in November.
12 of 12 people found the following review helpful.
"Emotion put into measure"
By R. M. Peterson
I commend this volume for three reasons. First and foremost for the 180 or so poems by Thomas Hardy (out of the approximately 950 he wrote). Among critics and self-professed serious students of English poetry, Hardy is often mildly disparaged as a poet. Yet among poets themselves, Hardy is/was admired and loved, even by "moderns" such as Pound, Jeffers, and Larkin.
Two aspects of Hardy's poetry stand out. One is his adherence to rhyme and meter. But Hardy is marvelously creative and diverse in his use of meter, his rhyming patterns, and the structure of his poems. He relies heavily on good old Anglo-Saxon words (many monosyllabic) and constructions. For those, like me, who often are uncomfortable with the free form and discursiveness of much modern poetry, Hardy is a welcome alternative. (The majority of the poems in this selection are less than twenty lines; very few are more than fifty.) The other conspicuous characteristic of Hardy's poetry is the somber atmosphere. The most common themes are death, the passage of time, nostalgia and regret. His poems are simple (few annotations are needed to read and understand them); they are more emotional than intellectual, more concrete than abstract; and they are very personal. Ultimately, then, THOMAS HARDY: SELECTED POEMS demonstrates a high degree of poetic craftsmanship and discipline and it constitutes a very moving body of work.
The second reason for commending this particular volume of Hardy's poems is Robert Mezey's Introduction and notes. At just over twenty pages, the Introduction is an ideal length. In it, Mezey succinctly makes his case for stating that "among the moderns", Hardy's "only peer is Frost and, perhaps, Yeats." One of the virtues of Hardy's poetry that Mezey identifies (and his selection confirms) is that with Hardy "the sense we get [is] that the moral and the aesthetic are rarely, if ever, separate things." The Introduction is learned, but it is not ivory tower: at one point Mezey compares a wonderful "song-like" rhyme in a Hardy poem with a rhyme from a Randy Travis song.
Lastly, this volume stands out for me for what it revealed of Thomas Hardy himself, that he was very decent and very human. I occasionally indulge myself by fantasizing about what it might have been like to spend an evening with a famous writer: of all famous writers, Thomas Hardy is one of those I most would have liked to have done so, and who (I sense) would have genuinely, without condescension, been interested in me.
One of several bonus features of the book is an Appendix containing miscellaneous comments Hardy made about poetry, writing, and life. Two of them seem worth sharing here:
"The business of the poet and novelist is to show the sorriness underlying the grandest things, and the grandeur underlying the sorriest things."
"Poetry is emotion put into measure. The emotion must come by nature, but the measure can be acquired by art."
After years - nay, decades - of reading only prose, I have resolved to expand my horizons (or, if you wish, deepen my soul) by reading poetry regularly - say about one book or collection each month. THOMAS HARDY: SELECTED POEMS proved to be an excellent beginning.
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